Showing posts with label Monica Vitti. Show all posts
Showing posts with label Monica Vitti. Show all posts

Saturday, 9 February 2019

L'Eclisse-Monica Vitti (1962)

Monica Vitti's languid beauty is what fills L'Eclisse, we wait to see her on screen. As Vittoria she is cool, bored, troubled, impetuous and intelligent. She goes from laughing to seriousness in seconds, and this creates a reality to a film that is often dream like in it's stark beauty. It is she who displays the emptiness and boredom of modern day life, the sense that there might be something better but it is unattainable in a society that is fixated on the material. The people around Vittoria are obsessed with consumerism, with wealth, in contrast Vittoria takes pleasure from the small things in life, the wind rattling a fence, people walking in the streets, photographs, things that seem to go unnoticed by the fast paced style of living adopted by her contemporaries. Stylistically Vitti is often filmed from behind, so that we see her world, but do we ever truly see her? Perhaps not, but her dissatisfaction with life, though unspoken, is certainly relatable in this day and age.












Tuesday, 23 February 2016

Modesty Blaise (1966)

Modesty Blaise (Monica Vitti) is a thief/spy who becomes involved in a complicated jewel heist. Hired by the British secret service and aided by her friend Willie Garvin (Terence Stamp) Modesty must outwit master criminal Gabriel (Dirk Bogarde) and return the diamonds to Middle Eastern sheik Abu Tahir (Clive Revill).



On the one hand this film doesn't make much sense, on the other hand it's so colourful and so sixties, that it doesn't really matter!
The film is full of funky fashions, and ever changing hairstyles, Bogarde's mansion is bizarrely colourful, filled with patterns that make your head spin. The music is also incredibly catchy (and reminded me of the theme to the Natalie Wood film, Penelope).


There is a plot and it does revolve around the jewels, but it frequently goes off track and there are many moments that don't seem to fit into the rest of the film. As a spy spoof it does have some laugh out loud moments (I must admit the end when Modesty and Garvin are rescued on the beach was my favourite!). There are even some moments of random song, a goldfish in a wine glass and a scene which made me think Garvin was a robot (but he's not….)



The film was based on a comic book series of the same name which featured Modesty as a female version of James Bond (the film apparently bears little resemblance to the comics). It was the first of only two English language films that Vitti made.
It may not be the best film ever made, but it certainly is oddly enjoyable!

3.5/5